Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

The Astronaut (2017)
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Moonwalker (1988)
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Beatles Electroniques (1969)
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

The Extinct Suite (2017)
An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.

Leafing You Behind (2017)
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

Ruminative Meditations (2017)
Say Om as you reach home only to realize you never really left/stopped saying Om.

What Was It Supposed to Be Like? (2017)
Rather pointless, rather stilted, fetid; not what we want us going after.

Revisited Remunerations Rapturously Collapse When Recompensed (2017)
Your raging romp results only in rescinded regret @ the hands of radder cadets.

Shirking; Shrieking Specter (2017)
Still it's really tall. Still it's really floundering/falling/fading.

Aridity Enclosure 1 (2017)
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

This Cacophony Runs Over Me (2017)
This cacophony runs over me, over everything I see, everything I want to see: it's me.

Metaphysics of Sound (2008)
Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.