In 1952 a young Egyptian colonel named Gamal Abdel Nasser led a coup that became a revolution, winning the support of millions of his countrymen. Over the next 18 years he challenged Western hegemony abroad, confronted Islamism at home, established the region’s first military authoritarian regime, and faced deep divisions among the Arabs.
Related Movies
Plunder (2020)
Iranian people’s water requirements are mostly depending on groundwater, though these sources are swiftly ending and the farmers are overusing millions of cubic meters of water annually. This documentary shows the tragedy of progressive depletion of groundwater resources in Iran in the past 50 years. While analyzing the water managements in past decades, we will see the environmental and social losses of such plunder, like land subsidence and migration of more than 11 million Iranians to suburbs of megacities.
David Macaulay: Pyramid (1989)
How did ancient Egyptians build the Great Pyramid at Giza, joining two million blocks of heavy stone with amazing precision? Who were the leaders who built these enormous structures, and what did these tombs signify? Host David Macaulay explores the history, mythology, and religions of Egypt's people, combining live footage and animation. Take a rare look at the mummy of Ramses II and buried treasure in the sacred Valley of the Kings.
Film-Essay on the Euphrates Dam (1970)
The construction of a dam on the Euphrates River is an example of a country’s economic development. Through grandly composed images, rhythmic editing, and aestheticized details, the director demonstrates his admiration for the interwar avant-garde. The film is a celebration of the new, while at the same time showing a traditional way of life and calling attention to working conditions; it is a refrain-like evocation of an arid country that explores the difficult lot of Syria’s rural inhabitants.
Relentless: Struggle for Peace in the Middle East (2003)
Relentless: The Struggle for Peace in the Middle East was produced by the pro-Israel media watchdog group HonestReporting [sic]. The concentrates on the causes of the Second Intifada through an examination of compliance the Oslo Accords, by Israel and the Palestinian Authority. It pays particular attention to the failure of the Palestinian Authority to "educate for peace". The documentary shows interviews with Itamar Marcus, director of Palestinian Media Watch, S. El-Herfi, Raanan Gissin, Caroline Glick, John Loftus, Sherri Mandel, Yariv Oppenheim, Daniel Pipes, Tashbih Sayyed and Natan Sharansky.
Fishball Revolution (NaN)
An asylum seeker from Hong Kong builds a new life for himself in Glasgow, using his passion for street food to maintain his cultural identity.
An Oppressed People Is Always Right (1976)
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
Living the Utopia (1997)
A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.
City of Photographers (2006)
A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.
1848 (1950)
The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.
UNCOUNTED - The Story of the California Election (2016)
In an extensive mini-documentary by Michelle Boley (@roguekite) and Taylor Gill (@taylorcgill) and produced by TYT and Rogue Kite Productions, the true story of what happened leading up to and after the 2016 California Democratic Primary is uncovered.
Black Pharaohs: Empire of Gold (2018)
It's a land of pyramids, gold, and ancient treasure, but it's not Egypt. It's present-day Sudan, once home to the glorious kingdom of Kush. Now, archaeologists are using every means possible - from robots to rock climbers - in their search for clues about this long-neglected culture. Once the Kushites filled the pharaohs' coffers with gold and, for a time, they even ruled over all of Egypt, but only now is their real story beginning to emerge.
Babylon (2012)
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
Gray State: The Rise (2015)
A documentary about America’s current militarized police state, the liberal use of deadly force against unarmed citizens, and a possible pending economic collapse. The world reels with the turmoil of war, geological disaster, and economic collapse, while Americans continue to submerge themselves in illusions of safety and immunity. While rights are sold for security, the federal government, swollen with power, begins a systematic takeover of liberty in order to bring about a New World Order. Fear-mongering, terrorism, police state, martial law, war, arrest, internment, hunger, oppression, violence, resistance. Neighbor is turned against neighbor as the value of the dollar plunges to zero, food supplies are depleted, and everyone becomes a terror suspect. There are arrests. Disappearances. Bio attacks. Public executions of those even suspected of dissent. Even rumors of concentration camps on American soil. The GRAY STATE is here. It always was. By consent or conquest.
Waltz with Bashir (2008)
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Bil'in Habibti (2006)
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
Ein Traum von Revolution (2024)
When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?
Nicaragua Part 1: Voyages (1985)
Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
