Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of 2009.
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Martha Graham: The Dancer Revealed (1994)
Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.
Kristina Talking Pictures (1976)
Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.
Dance Crazy in Hollywood (1990)
American dancer and choreographer Hermes Pan recalls his life and work as he relives the glorious history of the Hollywood musical.
Bobbi Jene (2017)
A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
The Light Fantastic (1960)
While most of Ken Russell's documentaries for the BBC's Monitor arts strand focused on a single creative figure, he would also occasionally make more wide-ranging surveys of the state of a particular art. The Light Fantastic (BBC, tx. 18/12/1960) was written and presented by Ron Hitchins, a Cockney barrow boy who has long been interested in a great many dance forms, and who has recently taken up Spanish dancing. Hitchins participates in some of the dance sequences, but his main contribution is an enthusiastic commentary that helps personalise what could have been simply a disparate collection of dance footage. He's not shy about expressing likes and dislikes, being none too keen on ballroom dancing (too choreographed), rock'n'roll (too monotonous) and Morris dancing (just doesn't like it), though anything genuinely spontaneous gets a thumbs up, even if it's a room full of people dressed in black swaying to the sound of a gong.
BTS World Tour: Love Yourself - Japan Edition (2019)
BTS perform their Japan concert at Tokyo Dome and Fukuoka Yahuoku Dome during their Love Yourself World Tour.
Every Little Step (2008)
Follows the plight of real-life dancers as they struggle through auditions for the Broadway revival of A Chorus Line and also investigates the history of the show and the creative minds behind the original and current incarnations.
Eldorado (2008)
Olivier Assayas’ Eldorado is a riveting documentary chronicling the efforts of Ballet Preljocaj to choreograph an otherworldly icon of 21st century music: Karlheinz Stockhausen’s ethereal Sonntags-Abschied.
Wick Is Pain (2025)
Witness the never-before-seen footage and true story behind the John Wick phenomenon – from independent film to billion-dollar franchise.
Gallant Indies (2021)
Stéphane Lissner, director of the Paris Opera, entrusts the staging of the opera-ballet Les Indes galantes to the visual artist Clément Cogitore. Based on the experience of his short film Les Indes galantes, the artist updates Jean-Philippe Rameau's baroque masterpiece (1735) by bringing together lyric song and urban dance. The choreography is entrusted to Bintou Dembélé who supervises dancers from krump, popping, voguing or even experimental hip hop. From rehearsals to the Premiere, Philippe Béziat films the meeting of urban dancers with the lyric institution and invites the spectator to share a human and artistic experience.
Penthesilea: Queen of the Amazons (1974)
Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.
Mr. Gaga (2015)
The story of Ohad Naharin, renowned choreographer and artistic director of the Batsheva Dance Company, an artistic genius who redefined the language of modern dance.
Ingmar Bergman Through the Choreographer's Eye (2016)
Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.
Making Dances: Seven Post-Modern Choreographers (1980)
Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.
Our Stories, Ourselves (2013)
Sixty-six adolescents, residents of Favela da Maré, were selected to participate in a dance show led by the choreographer Ivaldo Bertazzo, which incorporated their own daily experiences. Ten years later, directors David Meyer and Helena Soldberg search for some of the participants of this experience.
