Holy Angels (2017)

RESIST: The Unist'ot'en's Call To The Land (2015)

RESIST; The Unist'oten's Call to the Land is a short documentary that was filmed in the summer of 2013 on unceded Wet'suwet'en territory, 1000 km north of Vancouver in northern BC (western Canada) over the duration of the fourth annual Environmental Action Camp, hosted by the Unist’ot’en (C'ihlts'ehkhyu/Big Frog) Clan. The focus of the film is on the Camp as a year-round resistance to exploitative industry, and what it represents in relation to indigenous sovereignty and the environmental, legal, and social issues surrounding pipeline projects in British Columbia. The film documents one of the most important resistance camps in North America at the time.

Xapiri (2016)

Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.

Le coureur des bois et le Nutshimiu-innu (2022)

Filmmaker Éli Laliberté explores Nitassinan, an Innu territory north of Sept-Îles. His camera follows Clément and Tekuanan. The first is a modern-day coureur des bois, the other returns to Nutshimit, his ancestral family territory.

Caribou in the Archive (2018)

In Caribou in the Archive, rustic VHS home video of a Cree woman hunting caribou in the 1990s is combined with NFB archival film footage of northern Manitoba from the 1950s. In this experimental film, the difference between homemade video and official historical record is considered. Northern Indigenous women hunting is at the heart of this personal found footage film in which the filmmaker describes the enigmatic events that led to saving an important piece of family history from being lost forever.

Nuxalk Radio (2020)

A day in the life of 91.1, Nuxalk Radio, a radio station built to help keep the Nuxalk language alive while broadcasting the laws of the lands and waters.

Heal for Free (2014)

Stay inside all the time? Never take your shoes off? Feel fatigued? You could have Natural Deficit Disorder. Learn how the earth can help neutralize the disease-causing radicals in the body, by doing something as simple as swimming or walking barefoot.

The Ninth Island (NaN)

"The Ninth Island" tells the story of Hawaii’s indigenous population and its struggles to stay connected to its ancestral home.

Wars Don't End (2018)

During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.

Bananaland: Blood, Bullets & Poison (2016)

For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.

Sisters Rising (2020)

"Sisters Rising" is the story of six Native American women fighting to restore personal and tribal sovereignty in the face of ongoing colonial violence against indigenous women in the United States. Dawn was in the Army, now she’s a tribal cop in the midst of the North Dakota oil boom that threatens to pull the last threads of her Native culture apart. Patty teaches indigenous women’s self-defense across the Great Plains of her people. Sarah is an attorney and scholar fighting to overturn restrictions on tribal sovereignty and increase legislative protections for Native women. Loreline and Lisa are grassroots advocates working outside of the system to support survivors of violence and influence legislative change. Chalsey is writing the first anti-sex trafficking code to be introduced to a reservation’s tribal court.

Incident at Restigouche (1984)

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

Adwa (1999)

In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.

Baraka (1992)

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Gaza Is Our Home (2024)

"Gaza Is Our Home" is a profoundly personal documentary that peels back the layers of devastation within the Gaza Strip, as witnessed through the lens of filmmaker Monear Shaer. His debut documentary was created out of agony as a timely, impactful, and tragic response to the collective anguish of all who call Gaza home... What began as an auto-generated slideshow on Monear’s iPhone of his own trip to see his family in 2021, has since transformed into a feature-length documentary. Through a tapestry of intimate interviews, unfiltered personal footage, and raw storytelling, "Gaza Is Our Home" transcends the political rhetoric and confronts audiences with the agonizing reality and ongoing cruelty thrust upon the film-makers own family. It is more than just a documentary... Rather, "Gaza Is Our Home" stands as a testament to the humanity behind the over 33,362 innocent lives massacred since Oct 2023...

Jewel’s Hunt (2019)

Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.

Mr. Dial Has Something to Say (2007)

The documentary film "Mr. Dial Has Something to Say" investigates the problem of classism and racism in the elite American art world. By following the dramatic, disturbing story of Thornton Dial, a 79-year-old American-African artist from Alabama's Black Belt.

Hunted Like Animals (2008)

A documentary about the atrocities committed against the Hmong people by the Laos government. Shot by Hmong people with cameras provided to them in 2006, this film provides a unique look into one of the worst, and silent, human rights tragedies of the 21st century.

The Last Ice (2020)

For centuries, Inuit in the Arctic have lived on and around the frozen ocean. Now, as climate change is rapidly melting the sea ice between Canada and Greenland, the outside world sees unprecedented opportunity. Oil and gas deposits, faster shipping routes, tourism, and fishing all provide financial incentive to exploit the newly opened waters. But for more than 100,000 Inuit, an entire way of life is at stake. Development here threatens to upset the delicate balance between their communities, land, and wildlife. Divided by aggressive colonization and decades of hardship, Inuit in Canada and Greenland are once again coming together, fighting to protect what will remain of their world. The question is, will the world listen?

Abdzé Wede´Õ – Vírus não tem cura? (2021)

The documentary reveals the impact of the Coronavirus on one of the indigenous but affected by the disease in the country. Narrated in first person by Divino, which highlights the desperate struggle of his village, Sangradouro, east of Mato Grosso, to survive the most tragic epidemic known by the Xavante nation. Crossed with archival material and images captured during a pandemic, the film seeks to relate a traumatic past with the reality of Covid-19.

No Address (1988)

This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.