This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.
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Kpaima (2020)
Norma Kpaima's contribution to indigenous education is unique and urgent for neglected communities.
Nach dem Sturm (2019)
The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.
True Asian Horror (2007)
A new wave of Asian horror movie filmmakers is capturing the attention of film studios desperate for box office success. From Tokyo to Hong Kong and Bangkok to Seoul, this two-part documentary describes how Asian directors have successfully married the power of local myths and superstitions with cutting-edge filming techniques and innovative storytelling, producing some of the scariest moments in the history of cinema. True Asian Horror includes scenes from The Ring - the movie voted by cinemagoers around the world as the scariest movie ever - and modern horror classics such as The Eye and Phone. Sit back as the directors of these classic films reveal how they manage to frighten the life out of their audiences and hear film critics explain why Hollywood is terrified to turn its back on Asian moviemakers whose meteoric rise to the top has been just plain scary.
Bhutan: Following in the Footsteps of Matthieu Ricard (2024)
Buddhist monk and photographer Matthieu Picard as he returns to the Asian country in the Himalayas where he spent a decade after seven years away, revisiting breathtaking landscapes and experiencing local traditions.
Information for/from Outsiders: Chronicles from Kashmir (2019)
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
A Cam Life (2018)
An undaunted look into the cam business from performers and clients to website and studio owners.
The Aryans (2014)
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
Always Online (2018)
This Norwegian documentary asks the question if you really can go around without a smartphone and social medias in todays society. The movie follows 16 year old Elida as through a week without her smartphone and no access to her social medias. During the documentary we also get to hear the perspectives of some of her fellow classmates, a teacher, a professor in information- and media science at the University in Bergen, and leader of the local support group for victims of bullying.
Cinema Red: Natives & Horror (2019)
Over the course of four months, urban Native horror director Mike J. Marin (The Smudging) met with nine Native artists to discuss their opinions on horror cinema and the horror genre and how horror films impacted them and what role Native people play in the horror filmmaking process.
American Journal (2023)
A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.
Up from Zero (2003)
This movie was released by the U.S. Department of Labor as a way to document those who were involved with the cleanup of New York City after the 9/11 attack on the World Trade Center.
Jew Suess 2.0 (2022)
Since the outbreak of the global corona pandemic, the number of anti-Semitic content on the Internet and social media has also been increasing. Researchers see a connection between online radicalization and anti-Semitic violence – and also attacks. "Jud Süß 2.0" documents the visual roots of this new anti-Semitism.
Red Fever (2024)
Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.
The Tiger and the Deer (2013)
In El Salvador, Chelino tells about the indigenous massacre of 1932, of which he survived, while he teaches the melodies of traditional Salvadoran dances.
The Panafrican Festival in Algiers (1969)
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
Yuxweluptun: Man of Masks (1998)
This short documentary serves as a portrait of Lawrence Paul Yuxweluptun, one of Canada's most important painters. We meet him at the Bisley Rifle Range in Surrey, England, where he's literally shooting the Indian Act in a performance piece called "An Indian Shooting the Indian Act." It's in protest of the ongoing effects of the Act's legislation on Indigenous people. We then follow him back to Canada, for interviews with the artist and a closer look at his work.
Woodland Spirits (2007)
In this documentary short, two men paddle a canoe across a remote part of northern Lake Superior. Each stroke brings them closer to the culmination of an artistic and spiritual journey, one that begins with ancient rock paintings from their Anishinaabe ancestors.
Freedom Road: Women / Ikwewag (2019)
Shoal Lake 40 women talk about their struggles, and those of their parents and grandparents, in trying to raise their families in a hazardous state of enforced isolation. Everyone in the community has a harrowing story of a loved one falling through the ice while trying to get across the lake, with pregnant women and new mothers fearing for their babies and having no choice but to make the trek in dangerous conditions. The film shows the key role of the community’s women in demanding funding for the road from three levels of government, and how their reconnection to culture and ceremony give them the strength to keep going.
Smudge (2005)
This short documentary follows three Indigenous women as they practice ancestral forms of worship: drumming, singing, and using sweetgrass. These ancient spiritual traditions may at first seem at odds with urban life, but to Indigenous people in Canada who are used to praying in natural settings, the whole world is sacred space.