Grand Entrance to the World of the Dead (2017)

Hope This Goes Over Well/Living in an Empty World (2017)

I really hope this is well-received. I really hope there's some sort of reprieve.

Quick Billy (1971)

A psychedelic montage of home movie footage gives way to a silent western story.

Redland (2009)

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness' (2017)

Hiding inside&out, writhing about, taken out&in.

The Two (2002)

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

I Might Be There (I Won't) (2017)

Onward, upward, greener [redder] grasstures.

Devil Come to Hell and Stay Where You Belong (2008)

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

Every Ambulation a Betrayal (2017)

Return to 'burn' only to find out you're already in that urn.

What Was It Supposed to Be Like? (2017)

Rather pointless, rather stilted, fetid; not what we want us going after.

No(thing) Staring Back (2017)

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

Firing Flares @ Unnoticed Glares (2017)

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

The Twenty-One Lives of Billy The Kid (2005)

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

Entrance to the Grand Burial Chamber (2017)

1 minute experimental film.

Aridity Enclosure 1 (2017)

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go (2017)

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Pollice Verso Reverso (2017)

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

Out of the Law (2017)

Beyond all human restraint lies one's lugubrious layers of paint.

Calangros: Um faroeste sobre o terceiro mundo (NaN)

Hermitage (1968)

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

Man Painting (2009)

The painter Alfredo Romero locks himself in his studio-apartment in the Estación de Francia neighborhood in Mollet del Vallès (Barcelona) to create the final painting of his series Paisajes interiores (Inner Landscapes). The director of this film does the same, but to create his own work about the painter's creative process. Premiered at Documenta Madrid in 2009.