Onward, upward, greener [redder] grasstures.

Hope This Goes Over Well/Living in an Empty World (2017)
I really hope this is well-received. I really hope there's some sort of reprieve.
Redland (2009)
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness' (2017)
Hiding inside&out, writhing about, taken out&in.

The Two (2002)
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

Devil Come to Hell and Stay Where You Belong (2008)
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

What Was It Supposed to Be Like? (2017)
Rather pointless, rather stilted, fetid; not what we want us going after.

No(thing) Staring Back (2017)
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

Firing Flares @ Unnoticed Glares (2017)
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
The Twenty-One Lives of Billy The Kid (2005)
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

Aridity Enclosure 1 (2017)
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go (2017)
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Grand Entrance to the World of the Dead (2017)
Radical recurrences & rancorous requests raze my daze.

Bear (1993)
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.