Pollice Verso Reverso (2017)

Firing Flares @ Unnoticed Glares (2017)

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Hope This Goes Over Well/Living in an Empty World (2017)

I really hope this is well-received. I really hope there's some sort of reprieve.

38/79: Sentimental Punk (1979)

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

Highlights (2017)

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

Entrance to the Grand Burial Chamber (2017)

1 minute experimental film.

Roadz2Home (2017)

3 minute experimental film.

Scroll on Thru (2017)

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Superstar: The Karen Carpenter Story (1987)

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Before the Gates (2017)

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

Out of the Law (2017)

Beyond all human restraint lies one's lugubrious layers of paint.

Hjärtat brinner (1967)

A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.

Remind Me Why I Came Here (2017)

It's time the times met each other over & over.

Kinda Cool to Expend This Much Drool (2017)

Don't ask me why, but I feel we're about to cry trying.

Ruminative Meditations (2017)

Say Om as you reach home only to realize you never really left/stopped saying Om.

Leafing You Behind (2017)

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

Beatles Electroniques (1969)

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Almost Anything (2017)

Centrist revelations abound among repetitions & revisitings.

All Those Things (2017)

Something I know or something I was told? When something scalding translates something to behold.

What Was It Supposed to Be Like? (2017)

Rather pointless, rather stilted, fetid; not what we want us going after.

welcome_home.exe (2021)

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.